Motorised Polariser for Bentley automotive commercial

Our Motorised Polariser can be used independently as a ‘MotoPola’ that has end stops for easy calibration, allows users to set marks and can be controlled remotely, which sets it apart from similar products such as the Tiffen Multi Rota Tray or ARRI’s Rota Pola frame.

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Combining Cinefade with a Dolly-Zoom shot

The Cinefade shot is often compared to the Dolly Zoom shot, also known as the Vertigo effect, Trombone shot, Zolly amongst many others. Although it is technically different, the comparison refers to the narrative motivation behind applying one of the two shots in a film: Accentuating a pivotal moment in the narrative.

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Variable ND filter for film

The cmotion Cinefade filter can be used as a motorised variable ND filter that is remotely controlled by a lens control system to allow for precise and fast exposure changes when the camera is inaccessible or when the creative brief calls for an exact T-stop to maintain a consistent depth-of-field.

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Paul Cameron ASC uses Cinefade to vary depth of field in The Commuter

“Director Jaume Collet-Serra and I wanted a severe depth-of-field shift to accentuate Liam Neeson's experience - something to isolate him from his surrounding world. I was in the process of designing a system when my A-camera first AC, Dave Cozens, came upon Cinefade. It was exactly what we were looking for.”

- Paul Cameron ASC

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