Posts tagged deep depth of field
Live sports broadcast uses Cinefade VariND for cinematic look

One of the first sports leagues to experiment with full-frame sensor cinema cameras during their live-sports broadcast productions is the Spanish professional football league La Liga and we take a look at how the Cinefade VariND helped to match the two different types of cameras and allowed the operators to quickly transition between a cinematic to a broadcast look.

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Cinematography of 'Mank' - How Erik Messerschmidt ASC used a variable depth of field

“We used this tool called the cmotion Cinefade. It’s a motorized variable ND filter that you sync to the iris so we could effectively pull depth of field. It’s quite extreme. You could pull five stops of depth of field. So we could go from a T8 to a 2. That thing kind of lived on the camera. There were times where we’d say, “It’s too much. Let’s look at it at a 5.6.” So you set the iris to a 5.6, the VariND compensates and now you’re looking at the same scene but with less depth of field. So, it was nice to be able to use focus and iris as a storytelling tool instead of just an exposure tool.” - Erik Messerschmidt ASC

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